Rambo 3 movie cover
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1988's Rambo III and 2008's Rambo both failed to reach the high bar set by the original, but Stallone has promised a " very intense" finale in Rambo V: Last Blood. The character will remain forever ingrained in pop culture, regardless. The first sequel, 1985's Rambo: First Blood Part II, managed to surpass it at the box office, but the critics were not so receptive. As a matter of fact, the day of filming I was hoping that it would never happen, that it would just go away."ĭespite Stallone's reservations, First Bloodbecame one of the defining films of the 1980s. "It had been around so many actors and gone through many changes with directors, and I was very nervous. "It was kind of a jinxed project," he said.
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First Blood had been kicking around Hollywood for so long by the time Stallone got a call that he almost passed on it. "I think they were going to lab animals before they got to me," he told Howard Stern in 2019. According to Stallone, Robert De Niro, Al Pacino, Paul Newman, James Caan, Nick Nolte, Robert Redford, and Burt Reynolds were all considered before him.
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Morrell's Rambo III truly earns the nickname the movie's production inspired: "Rambo of Arabia.It's hard to imagine anyone but Sylvester Stallone wearing John Rambo's famous sweatband, but he was far from first choice for the role. If this is, as it appears to be, Morrell's last word on the iconic American character he created - the last Rambo story penned by the man who conceived him - then at least he went out guns blazin' (quite literally), on an epic and redemptive scale.
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Lastly, this signed limited edition of Rambo III from Borderlands Press/Gauntlet Press is packed with some truly worthy supplementals, including Morrell's firsthand background on the project, a previously unpublished chapter, a pair of fascinating archival essays from Daily Variety and Entertainment Weekly on the wildly troubled production of the Rambo III movie and eventual bankruptcy of Carolco Pictures, plus an overview of the knives created for Rambo III and IV, as well as a brief history - and personal appraisal - of Rambo IV. He puts you in the middle of the battle, and of course puts you right in Rambo's head, enriching the characterization beyond the jingoistic superhero seen in the movie. In addition to its thrilling narrative, this book improves upon one of the weaknesses of the Rambo: First Blood, Part II novelization in that the prose reads less utilitarian, less rushed despite working under intense deadline yet again, Morrell was able this time to evoke the more visceral writing style of First Blood. This story had the potential to take the franchise in a new, sustainable direction, reframing John Rambo as a geopolitical warrior - a battlefield counterpart, if you like, to James Bond. Along the way, he befriends mujahideen rebels who become as integral to his fight as he becomes to theirs, the band of them braving sandstorms and avalanches and Soviet gunships to rescue both Trautman and a group of Afghan children trapped in the heart of the warzone. Having brought the Vietnam War back to America in First Blood, only to have been sent by America back to Vietnam in Rambo: First Blood, Part II, Rambo III wisely sidelines the Vietnam parallels here (there probably wasn't much blood left to squeeze from that analogy) for a geopolitical adventure set amidst the Soviet–Afghan War, with John Rambo finding himself called out of exile to rescue his former mentor, Col. This might even be, across three books and four films (since the fifth, Rambo: Last Blood, is yet to be released), my favorite Rambo adventure. Somehow, the same story that serves as the basis for the most thinly plotted of all the Rambo movies makes for arguably the most richly epic of David Morrell's trilogy of Rambo novels.